Oil Hue
Check out this page if you are looking for Oil Hue
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 Artisan Water Mixable Oil 37ml Cadmium Yellow Pale Hue  US $5.36
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 Winton Oil Color in a 125 oz Tube by Winsor Newton US $3.82
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 Winton Oil color No8 Cadmium Yellow Pale Hue 675 tube US $8.99
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 Winsor Newton Winton Oil Color 37ml Cerulean Blue Hue US $3.75
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 200ml SENNELIER STUDENT OIL PAINT COBALT VIOLET DP HUE 913 US $10.27
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 Winsor Newton Artist Oil Color Manganese Blue Hue 37ml US $6.59
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 HOLBEIN Oil Paint COBALT VIOLET LIGHT HUE Series B US $9.95
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 Winsor Newton Winton Oil Color 26 Lemon Yellow Hue 37ml 125 US floz US $3.69
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 WN Winton Oil Color 200ml Tube Cadmium Yellow Hue US $11.89
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 Winsor Newton Winton Oil Color 5 Cadmium Red Hue 37ml 125 US floz US $3.69
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 Academy 125 Fl Oz Oil Paints Multiple Colors US $5.00
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 Cadmium Orange Hue Winton Oil Paint 37ml Tube WOC1414 090 US $9.13
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 Cadmium Yellow Hue Winton Oil Paint 37ml Tube WOC1414 109 US $9.13
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 Cadmium Yellow Pale Hue Winton Oil Paint 37ml Tube WOC1414 119 US $8.99
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 Winsor Newton Oil Paint Van Dyke Brown Viridian Hue US $7.95
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 Viridian Hue Winton Oil Paint 200ml Tube WOC1437 696 US $17.97
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 Cadmium Red Hue Winton Oil Paint 37ml Tube WOC1414 095 US $8.71
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 Cadmium Orange Hue Winton Oil Paint 200ml Tube WOC1437 090 US $17.97
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 Winsor Newton Winton Oil Color 37ml Cobalt Violet Hue US $3.75
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 Winsor Newton Winton Oil Color 37ml Cobalt Blue Hue US $3.75
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 Winsor Winton Oil Color 37ml Tube Cadmium Red Deep Hue US $3.75
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 Winton Oil Paint 37ml Tube Cadmium Yellow Pale Hue US $8.52
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 Winton Oil Paint 37ml Tube Cadmium Orange Hue US $8.52
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 Winsor Newton WINTON oil color no 26 Lemon Yellow Hue 675 fl oz US $8.99
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 Sennelier Oil Paint COBALT VIOLET HUE series 4 40ml US $15.99
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 Winsor Newton Griffin Alkyd Oil Color Cerulean Blue Hue US $4.77
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 34ml SENNELIER ETUDE STUDENT OIL PAINT CADMIUM RED DEEP HUE 606 US $4.42
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 Winsor Newton Oil Paint Cadmium Lemon Red Deep Hue US $7.95
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 Winsor Newton Winton Oil Color no6 Cadmium Red Deep Hue 675 US fl oz US $8.99
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 Da Vinci Artist Oil Colors 40 ML Tubes 70 OFF Retail US $5.50
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 Gamblin Artists Oil Colors Multiple Colors Series 2 US $5.95
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 Winsor Newton Oil Paint Cad Yellow Hue Indian Red US $7.95
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 Sennelier Oil Paint Cadmium Yellow Light Hue series 4 40ml US $15.99
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 Winsor Newton Winton Oil Color 6 Cadmium Red Deep Hue 37ml 125 US floz US $3.69
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 Winton Oil Paint 200ml Tube Viridian Hue US $18.95
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 Winton Oil Paint 37ml Tube Cadmium Yellow Hue US $8.52
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Tips on Oil Painting - the Block-in Phase
This phase is the second phase of a basic approach to the creation of an oil painting. The first phase is the drawing phase and involves the drawing of the scene you wish to paint. So, at the start of the block-in phase we assume that we have a canvas with the drawing of our scene on it.
During the drawing phase we already resolved many problems and made many decisions about composition, light source, design, focus point, etc. This is a good situation because it is much better to correct mistakes up-front than it is when you have already a lot of paint on your canvas.
The block-in phase consists of establishing the large shapes of color as indicated by the drawing. The emphasis here is on correctly observing the color of these shapes and making sure you maintain the correct geometry.
In this stage you should not be concerned with painting any details. I use usually work with fairly thinned-out paint and a brush that feels a little too large than for the work I'm doing.
Start out with the darkest shapes. Make sure you do not misjudge these dark colors. You will rarely find anything that is totally black. Most dark colors have a certain bias such as blue, brown, or purple.
Next I fill in the brightest colored large shapes (i.e., those colors that stand out or leap at you). Observe and analyze the color according to hue, value, and intensity. Also, make sure the colors stay harmonized.
Finally, I put in the more subtle colors many of which will be duller and more difficult to judge. Note that these more muddled colors are just as important as the bright colors. In fact, they are part of the reason why the bright colors can shine as they do.
Again, in this phase it is important to forego the details. Only two things count in this phase:
1) The correct coloring of the big shapes. This requires careful observation, analysis, and color mixing. It is important to check and recheck and if you feel the color is not quite right you should take the time to correct it even if you have to scrape it off the canvas.
2) Duplicating the geometry of the drawing. There is often a tendency to grow things. For example, when painting the large areas of a flower we tend naturally to make the flower larger. So, be disciplined and keep looking at the drawing and stay within the lines. Keep everything in its position and its proper dimensions and don't forget to paint the background if there is one.
At the end of this phase the canvas should be completely covered with paint, i.e., no white areas should be left unpainted. This way you have a good idea of how all the colors look like relative to each other without the presence of the harsh white canvas. You will also be in a good position to judge how well the overall color scheme harmonizes and if you need to make any corrections. And one more time, restrain yourself to add any details.
In this article we had a detailed look at the so-called block-in phase of the painting process. The end result is a fully colored canvas of large shapes all with the correct color in terms of hue, value, and intensity. During this phase we have also paid attention to the harmony of the colors.
About the Author
Remi Engels, Ph.D., is a pencil portrait artist and oil painter. See some of his work here: Remi Pencil Portraits .